Adam and the Ants -
Dirk Wears White Sox

Dirk Wears White Sox, released on 30th November 1979.The Press had mostly* hated the Ants from 1977, and so by the time Dirk was released, they of course hated that too.
Dirk was very different from the Ants in 1977-78. They could have (had they had a record company brave enough) released 2 albums in that time, as they had enough material, and indeed played most of it live. But as with any band, 3 years is a long time, and Adam had grown as a songwriter. So this album featured the newest songs, of which most were played live by time of it's release.

*Not all. Some did like The Ants and wrote so. They shall appear on the website soon.

Marco on Young Parisians, Lady,  Zerox, Whip in my Valise, Cartrouble and Kick

Once again we have Marco Pirroni's thoughts, here on Young Parisians, Lady, Zerox and Whip in my Valise. Marco wasn't part of the Ants when these were released, but seeing as we can't ask Adam (And I would LOVE to ask Adam!), this is the next best thing! Enjoy!

I'm not sure what to say about Young Parisians, I never really liked it, it's not very funny and it's not very good. I don't know why Adam wanted to release it or why Decca let him (I have my own theories but i won't go into them now).
Lady's ok but I never wanted to play it.
I thought Xerox sounded great but it isn't that great a song, though it's fun to play live.
As for "whip" I thought it was dated S+M punk imagery when it came out and a bit naff really.
I don't dislike it but I never wanted to play that either.
I'm generally ambivalent to the Ants recorded output before I joined, on the few occasions that Adam mentioned Young Parisians he just said "what was I thinking?
If he doesn't know then there's not much chance of the rest of us understanding it!

Tell me about the making of Cartrouble and Kick, why you chose those songs, and what you did to make them what they were- they were the first to feature the prominent drumming (with Jon Moss). Was it a test before you went to make Kings?

Yeah that's exactly what it was especially kick. Cartrouble didn't really lend itself to that, we just did a souped version of that, I liked the original version but it was a bit stark which is what they were going for, but i thought we could do a bigger sounding version.

Who's idea was it to do the 2 drum bits on Kick?

Adam's, But Chris worked it all out and Jon played it.

What role did Chris Hughes play?

He produced it, we told him our ideas and what we wanted to archive and he organized our thoughts into practical actions, for instance I had that Chinese two note chord riff in my head but I didn't know where to put it, Chris said put it in the third verse and outro.

What did you think of Jon Moss and his drum bits?

Jon was great, no problems with him at all, but we thought something wasn't right but couldn't put our finger on it, I still don't know exactly what was up but he wasn't well.

Why did Adam change the lyrics to Kick?

He never liked the original lyrics and wanted to start using the new lyrical ideas he had.

And what do you think of both songs now?

I still like Cartrouble but I don't like the mix on Kick.

Thanks as always to Marco for his time.

Addition: For some reason I got 2 emails off Marco, one went to my spam folder for some reason, and I only just saw it. Here's what he said in the other mail! :

We chose Cartrouble because it was my fav track off Dirk and I couldn't understand why it was in two parts, Adam chose Kick because he had never liked the lyrics and it was short enough to stick an intro and new middle 8 into.
These sessions was the first time we had ever met Chris Hughes. The story of how he came to be involved is long and too complicated to go into here, and I didnt even know it, till a few months ago till he told me.
The week before we went into the studio I was in bed with food poisioning so I had never even met Ian or Max at that point.
Jon was a friend of mine so I think I must have given Adam the number and he called him. Unbeknownst to me Jon had been having "problems" but to honest we never noticed, but he later told me that there were funny things going on in his head ,but he played great and was his normal good natured self.


Sounds Dec 8 1979, NME Dec 8 1979, Melody Maker Dec 8 1979.